The Gate of Flesh As introduced in the lecture, Akira Kurosawa’s Drunken Angel (1948) and Seijun Suzuki’s The Gate of Flesh (1964) are ostensibly set in the same time and location—immediate post-war Tokyo.(150-300words) Respond to the following: Discuss several cinematic techniques that were deployed in Drunken Angel and The Gate of Flesh, respectively. Is The […]