How was police surveillance and self-surveillance employed in the film? Do the 5 potential benefits and costs outlined in chapter 8 apply to the notion of self-surveillance and loss of privacy outlined in chapter 10?

Media, Culture and Crime – CRM 470 Module 3 Assignment

Assignment:
1. Watch The Thread posted on our Blackboard page. The video is approximately 1 hour.

2. Address the following questions using course content from Module 3. Use complete sentences and punctuation.

Questions:

1.How was the concept of anticrime advertising illustrated in the film? What “targets” did these efforts focus upon?

2.Define the concept of citizen cooperation ads. How did law enforcement utilize such efforts in the film? Was it effective?

3.How was police surveillance and self-surveillance employed in the film? Do the 5 potential benefits and costs outlined in chapter 8 apply to the notion of self-surveillance and loss of privacy outlined in chapter 10?

4.Your author makes the case that the general public no longer merely consumes the media but rather actively engages in the creation of media. How is this represented of illustrated in the film?

5. What forms of old (legacy) media and new media were illustrated in the film? What’s the problem with old media relying on new media as a source? How was this illustrated in the film?

6. Your author discusses the continually blurred line between news and entertainment. He refers to this type of content as “infotainment.” Offer some examples of infotainment illustrated in the film.

7.Whether intentional or not, how were the events of the Boston Marathon Bombing a Performance Crime? Be sure to explain your answer.

8.Chapter 9 outlines the image of crime in the media as a trisection of wolves, sheep, sheepdogs. In the film what individuals or groups represent wolves, sheep, and sheepdogs? Are these representations in line with what typically see in the media?

9.In chapter 11 the author poses the question of whether the media may misconstrue or influence the functioning of the criminal justice system. The author offers two postulates. Offer a brief definition of these two postulates. Do both apply to the events depicted in the film? Be sure to explain your response.

10. In chapter 11 your author describes two potential paths or “futures” of the manner in which the Criminal Justice System will function with regard to media. Compare and contrast how both of these two “futures” are illustrated in the film. Given what was represented in the film, which potential future is most likely to prevail?

11.At the beginning of the semester we considered the notion that media and the criminal justice system have a “forced marriage.” Offer a definition of this notion or concept. Given the content of the film, do you agree that a forced marriage exists? How does the film illustrate the potential risks and benefits of this forced marriage?

How was police surveillance and self-surveillance employed in the film? Do the 5 potential benefits and costs outlined in chapter 8 apply to the notion of self-surveillance and loss of privacy outlined in chapter 10?
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