The shadow of United Kingdom
British Transatlantic Slave Trade, and the impact till now
Chapter three: Case study
3.1 Background
In the prior two chapters, outline how the narrative has been discussed in curatorial literature/discourse since its development, and then home in on specific curatorial practice 3 & 4 Will. IV c. 73 at the Institute of Contemporary Arts, London, as the first case study to examine how institution professionals utilize heavily narrative within the exhibition context to improve the experience.
3.2 what do we hear?
sound is one of the key components in the exhibition, to guide the audience walking through the space
3.3 durational looking through disjunctive perspectives
In particular, the displaying strategy, what you refer to is that Parreno splits the whole video into 17 chapters showing on screens and set into a labyrinthine aesthetic manner, how does it contribute to narrative constructed and shifting the authorship within the exhibition?
